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Editorial by Jean-François Leroy

38th edition of Visa pour l'Image

2026 began with a fake photograph: Venezuelan President Nicolás Maduro appears in it surrounded by two marines, handcuffed. Reputable media outlets and journalists who have been raised on social media—which they have come to regard as a source of information—were taken in.

But paradoxically, the AI revolution and its consequences may be journalism’s best chance for survival. Since these models, to be effective, must be fed reliable, up-to-date, and verified data, who is better suited to do this than news professionals?

The proof is in the speed with which, over the past three years, these giants have sought to forge partnerships with the big names in the international press. History will tell whether these agreements—negotiated and signed in haste by media outlets struggling with solvency issues and economic difficulties—served their interests. Or whether they struck a deal with the devil, who is eager for their data.

The real photos of Maduro in New York, handcuffed, do exist. They were taken by professional journalists and published by media outlets that adhere to standards and rules that may be outdated, but are so important. And valuable. This is evidenced by the success of the digital offerings from The New York Times, Le Monde, the Financial Times, and so many others.

These “old media” share with us, the “old festival,” this orthodoxy that we continue to defend and celebrate. With their influence, their legitimacy, and their power, they are the last bastions against the gravediggers of reality, who dream of only one thing: to tear them down or take them over to further their own agendas—and, above all, their business interests. The media mergers and acquisitions that have taken place this year, as well as the witch hunts disguised as taxpayer-funded investigative committees designed to advance a freedom-destroying ideology, are evidence of this phenomenon.

Whether they are political or technological, those in power are therefore either afraid of us or, on the contrary, need us. That is why we will continue here, in Perpignan, the fight we began nearly forty years ago. And we hope to be joined and supported by all those who still share our vision. To stand tall, or be set straight, but always remain standing. And faithful to the values of freedom and journalism.

Jean-François Leroy

April 20, 2026

The Special Exhibition

Raymond Depardon, Photojournalist

For the first time at Visa pour l’Image! An exceptional exhibition dedicated to one of the most important French photojournalists and filmmakers of his generation, co-founder of the Gamma agency. This unprecedented selection of his iconic photographs, organized around his photoessays and his coverage of national and international news, offers a chance to rediscover the unique and invaluable perspective of one of the major witnesses of our time.

Awards & Grants

Visa d'OrOnline

The Visa pour l’Image team is delighted to announce that the winner of this year’s second  Visa d’Or Online is Rafael Yaghobzadeh for his series “Lebanon – Perpetual War(s),” produced for Le Monde.

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2025 Program

*Subject to change depending on the latest news

Photojournalists talk about their work

During the festival, discover fascinating anecdotes and behind-the-scenes stories about the photojournalism on display. The program includes guided tours of exhibitions by photographers, panel discussions, book signings, and more. Follow us on social media for exclusive interviews and tips from renowned photojournalists.

Show your work and get inspiration

Would you like to show your reportage or simply get advice on your work? Whether you're a young or experienced photojournalist, Visa pour l'Image is a unique opportunity to meet international photo editors and professionals from the world of the press and photojournalism.

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PortfoliosDiscussionsWorkshops

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Find all the information you need for your visit to Visa pour l'Image: useful information, opening hours, access, hotels, restaurants, recommendations.

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Visa pour l'Image: Current events around the world

Every year since 1989, the international festival of photojournalism, Visa pour l'Image Perpignan, has reviewed the events of the previous year, covering social issues, conflicts and the state of the world viewed via a variety of subjects and from different points of view.

The program includes: exhibitions, evening screenings, round tables, workshops, portfolio reviews, school weeks, the chance to meet photographers, awards and grants.

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