But paradoxically, the AI revolution and its consequences may be journalism’s best chance for survival. Since these models, to be effective, must be fed reliable, up-to-date, and verified data, who is better suited to do this than news professionals?

The proof is in the speed with which, over the past three years, these giants have sought to forge partnerships with the big names in the international press. History will tell whether these agreements—negotiated and signed in haste by media outlets struggling with solvency issues and economic difficulties—served their interests. Or whether they struck a deal with the devil, who is eager for their data.

The real photos of Maduro in New York, with handcuffs on his wrists, do exist. They were taken by professional journalists and published by media outlets that adhere to standards and rules that may be outdated, but are so important—and valuable. The success of the digital offerings fromThe New York Times,Le Monde,the Financial Times, and so many others is proof of this.

These “old media” share with us, the “old festival,” this orthodoxy that we continue to defend and celebrate. With their influence, their legitimacy, and their power, they are the last bastions against the gravediggers of reality, who dream of only one thing: to tear them down or take them over to further their own agendas—and, above all, their business interests. The media mergers and acquisitions that have taken place this year, as well as the witch hunts disguised as taxpayer-funded investigative committees designed to advance a freedom-destroying ideology, are evidence of this phenomenon.

Whether they are political or technological, those in power are therefore either afraid of us or, on the contrary, need us. That is why we will continue here, in Perpignan, the fight we began nearly forty years ago. And we hope to be joined and supported by all those who still share our vision. To stand tall, or be set straight, but always remain standing. And faithful to the values of freedom and journalism.

Jean-François Leroy